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"A Design Department doesn’t replace traditional art: it extends its legacy, keeps the College relevant, improves student outcomes, and strengthens the institution as a whole. A Design Department will increases revenue, stabilizes enrollment, and strengthens the College’s long-term financial health...”"
Design Extends The Artistic Tradition
Keeps The College Relevant & Growing
We propose four new programs derived from courses in our current Digital Arts Program, each incorporating a mix of existing, and new curriculum courses and certificates, which are currently undergoing the approval process:
Improves Student Outcomes
Encourages Collaboration & Innovation
Protects the Division’s Artistic Identity
Increase Revenue
Alignment with Industry Practices
Focus on User-Centered Design
Improve Financial Stability
Strengthen Long-Term Value
In summary, establishing a new Design department presents numerous advantages for our students. This strategic initiative aims to elevate the creative capabilities of our College, Fine Arts Division, departments, programs and students, fostering innovation and success in today's competitive landscape.

We believe that not all students should be taught the same things. What works for one student may not work for another. The self-expression, creativity-driven, and exploration of aesthetic concepts by art students can be lost with design-thinking students, who are focused on problem-solving, functionality, and communication through visual elements. By recognizing and accommodating this diversity, we can create a more inclusive and equitable learning environment where all students can thrive.
Not all students find adequate self-reflection of their diverse cultural heritage and lived experiences through the lens of traditional classical art curricula. By incorporating diverse perspectives, histories, and traditions into a design-focused curriculum, we can make design education more relevant, engaging, and meaningful for design-thinking students.
Not all students have equal access to resources, opportunities, or support systems outside of the classroom. Some students face systemic barriers such as economic disadvantage, lack of access to technology and materials, and limited exposure to design in their communities. We plan to address these inequities and provide additional support and resources to design-thinking students who need it most, by leveling the playing field and ensuring that these marginalized students have the opportunity to succeed.
A more inclusive, responsive, and effective approach to design education will meet the needs of these students and prepare them for success in an increasingly diverse and interconnected world. Here are the five main areas we want to cover: